Best Songs of the ’10s: #50-41

Having already written so much about albums, I’m counting down my favorite songs of the decade instead. Thanks to downloading and streaming, I’m more inclined to obsess over individual tracks—I still love and seek out albums, but often, a great single or track is simply more accessible and immediate. Here are fifty from the past ten years, ten at a time. Roughly one-third come from my favorite albums of the decade—I wasn’t going to include any crossovers, but then I’d be overlooking some really good songs.

50. Lake Street Dive, “Bad Self Portraits”
This bluesy but warm serving of self-deprecation comes from a quartet of former Berklee students whose vocalist could be a cross between Bonnie Raitt and Fiona Apple, with lyrics nearly as clever as the latter’s.

49. Natalie Prass, “The Fire”
An angelic-voiced chanteuse in the Dusty/Dionne mold, Prass nonetheless refuses to be pigeonholed: this track (among others) from her second album, The Future and The Past recalls highly buffed, late ’80s pop-funk but fully translates it for the here and now.

48. Guster, “Architects & Engineers”
When they lay off the goofiness, these Adult Alternative radio mainstays approach the soaring, melody-rich power pop and smarts of Fountains of Wayne (who’ve been inactive for most of the decade.) The wordless chorus here is aces.

47. Roisin Murphy, “Narcissus”
She’s put out so many divine stand-alone singles since returning from exile mid-decade; this most recent release might be the best of ‘em, a full-blown, Donna Summer-worthy disco epic with Murphy imploring, “Be in love, be in love, be in love with me.” Only the Gloomiest Gus would dare resist her.

46. Kacey Musgraves, “High Horse”
Speaking of disco, it feels like such a logical step for this difficult-to-classify artist, but admit it—did you ever think she’d actually put out a song like this? As with nearly everything else on her applauded, Grammy-winning album Golden Hour, it’s both a summation and an act of liberation.

45. Years & Years, “Shine”
Both nuanced and assured, Olly Alexander’s best song to date also manages to scratch that ridiculously catchy teen-pop sweet spot, and somehow does it with synths nearly straight out of Kate Bush’s “Running Up That Hill”.

44. Washed Out, “All I Know”
Portlandia theme aside, Ernest Green’s chillwave project peaked with this wonderful, neo-psychedelic pop song brimming with texture and layers of hooks but also a strong residue of 80s British guitar-rock—in particular, the moment you could almost dance to it.

43. The Decemberists, “Once In My Life”
Their recent ’80s-drenched phase can be hit-or-miss, but it’s pretty sublime on this good old fashioned anthem, which is melodic, airy and brimming with majestic flourishes. Who knew Colin Meloy could write such a perfect song for an imaginary John Hughes film?

42. Future Islands, “Seasons (Waiting On You)”
Like nearly everyone else, it was that infamous Letterman show appearance that made me fall for Samuel T. Herring and his synth-pop cohorts; dad-dance moves aside, it’s his mighty, primeval roar in conjunction with the key-change on the chorus that still makes me soon.

41. Janelle Monae feat. Deep Cotton, “57821”
As much as I love all of The ArchAndroid’s sideways twists and turns, this gently scintillating, uncommonly hushed, acoustic folk (like “Scarborough Fair” turned inside out) is what I return to most—naturally, there’s nothing else like it in Monae’s small but expansive catalog.

2019 Booklist

My ten favorite books I read in 2019; naturally, given recent tendencies, more than half are memoirs:

10. Tracey Thorn, Another Planet: A Teenager in Suburbia
Thorn’s third memoir reconciles her past and present, with her teenaged diaries serving as a revealing jumping-off point. Ever perceptive, relatable and just a little wry, she details how she initially rejected a provincial life in favor of urban bohemia, only to eventually find a solid middle ground while also remaining a pop star (albeit a most unconventional one.)

9. Wiebke von Carolsfeld, Claremont
Full disclosure: I’m friends with the author, a German-born, Canadian-based filmmaker (Marion Bridge, The Saver). Her debut novel has all of the intuitiveness and empathy of her films; it also excels and engages both as a family kitchen-sink dramedy and via the rich sense of place in which she depicts downtown Toronto.

8. Susan Orlean, The Library Book
Only Orlean would probably think to write an entire book about the main branch of the Los Angeles Public Library, and only in her hands would it come off so personable and far-reaching. Anyone who’s spent time in a library whether as an employee or a patron will appreciate the lyricism Orlean locates in an underrated but vital municipal institution.

7. Hanif Abdurraqib, Go Ahead In The Rain
Following last year’s great collection of essays, Abdurraqib tightens his focus to an entire book about legendary rap group A Tribe Called Quest. Such is his talent and original approach to criticism/memoir that, even if you’re not familiar with the music here (like me), it’s not difficult to get wrapped up in the twin tales being laid out of artist and fan and how each one informs the other.

6. Ben Folds, A Dream About Lightning Bugs
Folds is so utterly himself—musical prodigy, everyman iconoclast, thoughtful goofball—that his own, often rollicking account of his gradual and relatively unusual rise to semi-stardom never plays a false note. Recommended to aging Gen-X-ers, power-pop admirers, recovering workaholics, divorced parents and terminal smartasses.

5. Andrew Sean Greer, Less
A witty comedy of errors that subtly reaches back to such luminaries as Wilde, Waugh and Wodehouse, it also somehow feels of the moment. Following his hero across several continents, Greer’s light touch, combined with an ever-so-slightly acidic demeanor proves irresistible—as complete and satisfying as, say, a Carson McCullers novel, only more generous.

4. Andrew Blauner (Ed.), The Peanuts Papers
How could a collection of essays about Peanuts, one of my favorite things ever, not end up in my top five? These thirty-odd pieces dissect Charles Schulz’s work in a myriad of directions, from comic precedents and critical analysis to memoir and even stylistic parody. All of it conveys that, twenty years on from its creator’s death, the potential Peanuts contains remains endless.

3. Guy Branum, My Life As A Goddess
Branum does not suffer fools gladly, which always makes for a refreshing, readable memoir; that he mostly avoids archness and navel-gazing makes for an uncommonly honest one as well. Whether dishing about former boss Chelsea Handler or writing frankly about obesity, he’s curious and stimulating instead of settling for bitter and bitchy.

2. Ruth Reichl, Save Me The Plums: My Gourmet Memoir
Reichl’s best book since Garlic and Sapphires, which also happens to be her last work-centric memoir, this is her long-awaited account of her ’00s stint as a editor-in-chief of the now shuttered magazine Gourmet. Previously an outsider to the industry, she provides a fascinating assessment of its politics and inner workings that, over time, turns into a requiem for a fading profession—with recipes, of course.

1. Amy Rigby, Girl To City: A Memoir
I didn’t even know this singer/songwriter, best known for her plucky 1996 solo debut Diary of a Mod Housewife, had written a memoir until I checked her blog a few weeks after it came out. And like Diary did for her music, this proves she’s a natural writer as well. Spanning mostly from her move to Manhattan from Pittsburgh at age 17 in the late ’70s to Diary’s release, Rigby both depicts a lost New York and completely nails the exhilaration and anxiety of being young and on your own and desperately wanting to create art and partake in culture when the everyday world makes it challenging to do so. It gets the top spot here because, more than any musician’s memoir I’ve read in the past few years, I’d recommend it to anyone, even if they’ve never heard a note of Rigby’s music.

Honorable Mentions: Ottessa Moshfegh, My Year of Rest and Relaxation; A.M. Homes, Days of Awe; Emily Nussbaum, I Like To Watch; Kate Atkinson, Life After Life; John Hodgman, Medallion Status; Rachel Kushner, The Mars Room

Here’s my complete 2019 Booklist, with titles in chronological order of when I finished reading them (starred entries are books I’ve re-read–8 this year, which is twice as many as in 2018!):

  1. Susan Orlean, The Library Book
  2. Kate Atkinson, Case Histories
  3. Abbi Jacobson, I Might Regret This
  4. Rachel Kushner, Telex From Cuba
  5. Jon Ronson, The Psychopath Test
  6. Robert Christgau, Does It Feel Good To Ya?
  7. Geoff Dyer, Otherwise Known As The Human Condition
  8. Fredric Dannen, Hit Men
  9. Hanif Abdurraqib, Go Ahead In The Rain
  10. Merrill Markoe, What The Dogs Have Taught Me
  11. Bill Bryson, The Lost Continent*
  12. Ottessa Moshfegh, My Year of Rest and Relaxation
  13. Elizabeth McCracken, Bowlaway
  14. Curtis Sittenfeld, You Think It, I’ll Say It
  15. Michelle McNamara, I’ll Be Gone In The Dark
  16. Tracey Thorn, Another Planet: A Teenager in Suburbia
  17. A.M. Homes, Days of Awe
  18. David Sedaris, Dress The Family In Corduroy and Denim*
  19. Paul Myers, The Kids In The Hall: One Dumb Guy
  20. Ruth Reichl, Save Me The Plums: My Gourmet Memoir
  21. Guy Branum, My Life As A Goddess
  22. Peter Heller, The River
  23. Clarice Lispector, Complete Stories
  24. Tim Kreider, We Learn Nothing
  25. Brian Raftery, Best. Movie. Year. Ever.
  26. Frank DeCaro, Drag: Combing Through The Big Wigs of Show Business
  27. Celeste Ng, Little Fires Everywhere
  28. Ani DiFranco, No Walls and the Reoccurring Dream
  29. John Waters, Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder
  30. Emily Nussbaum, I Like To Watch
  31. Rob Sheffield, Love is A Mixtape*
  32. Haruki Murakami, The Elephant Vanishes
  33. H. Jon Benjamin, Failure Is An Option
  34. Andrew Sean Greer, Less
  35. Ramin Setoodeh, Ladies Who Punch
  36. Bob Stanley, Sleevenotes
  37. Leslie Marmon Silko, Almanac of The Dead*
  38. Douglas Coupland, Eleanor Rigby
  39. Kurt Vonnegut, Slapstick, or, Lonesome No More!*
  40. Kate Atkinson, Life After Life
  41. Ben Folds, A Dream About Lightning Bugs
  42. Tom Spanbauer, The Man Who Fell In Love With The Moon*
  43. David Crabb, Bad Kid: A Memoir*
  44. Wiebke von Carolsfeld, Claremont
  45. Richard Brautigan, So The Wind Won’t Blow It All Away
  46. Andrew Blauner (Ed.), The Peanuts Papers
  47. Patti Smith, Year Of The Monkey
  48. Amy Rigby, Girl To City: A Memoir
  49. John Hodgman, Medallion Status
  50. Marilynne Robinson, Housekeeping*
  51. Lindy West, Shrill: Notes From A Loud Woman
  52. Rachel Kushner, The Mars Room
  53. McDonnell/O’Connell/de Havenon, Krazy Kat: The Art of George Herriman
  54. Vince Aletti, The Disco Files
  55. Alan Bennett, Untold Stories

Favorite Albums, 2010-19

Until recently, I was set on counting down my fifty favorite albums of this decade, as I did for the last one and the one before that. However, given that I’ve spent years writing extensively/exhaustively about favorite albums, including eleven from this past decade, I’m weary of saying much more on these long-players. So, in two weeks I will count down my fifty favorite tracks of the decade instead. I don’t buy into the death-of-the-album hysteria that began with digital downloads and seems to have swelled with online streaming, but I will argue that the technology often allows for a single or an album track to make a deeper, obviously more immediate impact than a thirty-to-seventy-minute-long collection of songs.

More about that in two weeks. I will never stop loving albums and ranking my favorites, but compared to the past two decades, nothing from the 2010s has hit me so powerfully as Automatic For The People, If You’re Feeling Sinister, Apartment Life, Since I Left You and Riot On An Empty Street did upon arrival. Of course, I first heard all those records in my 20s and it’s only natural that as I age, I should grow more critical and less susceptible towards the new, especially in how it relates to an already established artist’s body of work.

However, I still firmly believe in the possibility that my favorite album (or song) of all time might be something I haven’t yet heard. At the end of 2009, I knew nothing of Laura Marling, Nicole Atkins, Field Music, The Clientele or Future Islands, even though they all had records out. Then, there are the new talents that emerged and are represented below: Christine and The Queens, Natalie Prass, Michael Kiwanuka, Lana Del Rey, Haim—all of whom I suspect will continue releasing vital music in the next decade.

As for the list below, I struggled a bit with the order, for everything’s prone to change from month to year to day. Thus, I focused on albums I could see myself most wanting to listen to again and again, even after having already heard them dozens of times. Home Counties fulfills such criteria more strongly than anything else I could think of—I’m not sure if it’s even Saint Etienne’s best or second-best (or even fifth-best) album, but its breadth and scope effortlessly draws me in; as a reaction to Brexit, it’s also one of the more timely albums here, certainly up there with Running Out of Love, Record and My Finest Work Yet as something that one could’ve only conceived of in the past three-to-four years.

Some surprises here and there: Edge of the Sun not making 100 Albums but placing so high as it became one of my most-listened-to records ever; Random Access Memories‘ stature in my mind slipping somewhat, as its retro-isms still delight but no longer innovate; a handful of records from the first half of the decade showing up, despite not making my half-decade list in 2015 (most notably Tales of Us, Transference and The Voyager); only three artists (Saint Etienne, Tracey Thorn and Hot Chip) appearing more than once, as opposed to Sam Phillips, who had three slots in the ’00s list.

In any case, at the end of this particular decade, here’s how I’d rank my favorite albums from it:

  1. Saint Etienne, Home Counties
  2. Emm Gryner, Northern Gospel
  3. Calexico, Edge of the Sun
  4. Jens Lekman, I Know What Love Isn’t
  5. Destroyer, Kaputt
  6. Tracey Thorn, Record
  7. The Radio Dept., Running Out Of Love
  8. Roisin Murphy, Hairless Toys
  9. Andrew Bird, My Finest Work Yet
  10. Marina and the Diamonds, Froot
  11. Daft Punk, Random Access Memories
  12. Laura Marling, I Speak Because I Can
  13. Christine and The Queens, Christine and The Queens
  14. Raphael Saadiq, Stone Rollin’
  15. Nicole Atkins, Goodnight Rhonda Lee
  16. Natalie Prass, The Future and The Past
  17. Florence + The Machine, How Big, How Blue, How Beautiful
  18. Holy Ghost!, Work
  19. Hot Chip, One Life Stand
  20. Field Music, Open Here
  21. Tracey Thorn, Love and Its Opposite
  22. Goldfrapp, Tales Of Us
  23. The Clientele, Music For The Age Of Miracles
  24. Robert Forster, Inferno
  25. Michael Kiwanuka, Love & Hate
  26. David Bowie, Blackstar
  27. Saint Etienne, Words and Music By Saint Etienne
  28. Janelle Monae, The ArchAndroid
  29. Fiona Apple, The Idler Wheel…
  30. Robyn, Body Talk
  31. Imperial Teen, Now We Are Timeless
  32. Sufjan Stevens, Carrie & Lowell
  33. Lana Del Rey, Norman Fucking Rockwell!
  34. Pet Shop Boys, Electric
  35. Belle and Sebastian, Girls In Peacetime Want To Dance
  36. Jill Sobule, Dottie’s Charms
  37. Alison Moyet, Other
  38. Sam Phillips, World On Sticks
  39. Future Islands, Singles
  40. Spoon, Transference
  41. Vampire Weekend, Modern Vampires Of The City
  42. The New Pornographers, Brill Bruisers
  43. Hot Chip, In Our Heads
  44. Fitz and The Tantrums, Pickin’ Up The Pieces
  45. Rufus Wainwright, Out Of The Game
  46. Tegan and Sara, Heartthrob
  47. Haim, Days Are Gone
  48. St. Vincent, St. Vincent
  49. FFS, FFS
  50. Jenny Lewis, The Voyager

Oh, Tannenbaum…

The Tree, a few years later. Note the garlands!

When I was young, I loved browsing through the elaborate, backroom display of colorfully glowing, completely trimmed artificial Christmas trees at Stein’s Garden Center and Gifts. However, to actually bring one of those imposters into our home was entirely out of the question—we required the vigorous smell of pine wafting through the air, a splintery trunk dabbed with sticky sap and a ring of fallen, brown needles gradually accumulating all over the vintage Lionel train set I’d inherited from my Great Uncle Eugene. A real tree was as essential a Kriofske Holiday Tradition as iced and decorated sugar cookies in dozens of shapes, strings of multicolored lights criss-crossing the front windows looking out on 12th Street, or even presents from Santa on Christmas morning.

During the first or second week of December, usually on a early weekend afternoon, my parents and I would drive to a nursery or garden center—not local chain Stein’s, but usually somewhere out in the boonies to look for and bring home the Perfect Christmas Tree. Often these places would crank up the charm to justify their lofty prices. You’d walk in the front door and be gobsmacked with the smell of cinnamon and spice and the sound of carols and hymns; within seconds, you’d spot a dispenser of free hot cider to sip out of tiny styrofoam cups. I recall one place even had a real life nativity out back: a wooden enclosure housing a donkey, a foal and perhaps a Saint Bernard or a Golden Lab one could pet, pose and take photos with on a bed of hay.

Eventually, my father had it all figured out: the best tree to get was a Fraser Fir. It appeared full and robust, but its chief attribute was its most practical: firm but not too stiff, it had branches practically tailor-made for hanging ornaments onto them. Every year after our first Fraser Fir, we settled for nothing less. It cost more than the average balsam or spruce you could pick up at one of those parking lot tree emporiums that seemed to pop up all over town every November, but such durability and dependability was worth the extra scratch.

If my mom ever suggested, “Bob, maybe we should spend less on The Tree this time?”, my father would only have to remind her of the Christmas when I was in third grade. I have many fond memories of this year: I still sincerely believed in Santa, The Best Christmas Pageant Ever aired on ABC for the first time and A Christmas Story had premiered in theaters (to a generally muted response, but after that first viewing, my parents and I thought it was the Best (and funniest) Christmas Movie Ever.)

Still, not everything that year was as magical as fresh fallen snow or piping hot mugs of cocoa teeming with mini-marshmallows. For one thing, we’d waited a little longer than usual to pick up The Tree. Christmas was less than two weeks away and rather than make the trek out to one of our preferred places, my parents opted for a nursery closer to home. It was altogether fine for tree-shopping, cider and carols intact (but no living nativity); their selection might’ve been sparser than usual, but I can’t entirely blame that for what we picked out; I can only assume my parents wanted to get a tree right there, right then and not spend a fortune on it.

Nothing about The Tree we purchased looked especially askew in the nursery’s outdoor lot; it was only after we brought it into our home that we noticed something was off. Sure, it was slightly crooked, but my dad could easily fix that by sawing a little off the top or bottom. Only in the artificial light of our living room (extensively rearranged, by the way, so we could make space for it) did we notice The Tree seemed a little… barren. Not a pathetic “Charlie Brown Tree” by any means, but certainly something less hardy than we were used to.

“Maybe that’s just the bad side,” my mom suggested. “Let’s turn it around.”

If anything, the other side was even worse, with wide gapping spaces fully noticeable throughout the towering, triangle-shaped conifer before us. Undeterred, my dad turned it back around again and with my mom’s assistance, began stringing the lights—an annual ritual I knew to stay away from. As they wrapped each subsequent string around The Tree, my parents’ frustration with each other would mount and seethe until one of them would verbally explode at the other; from there, the arguing would persist until the last string was strung.

Hundreds of multicolored lights improved the tree somewhat but any sense of satisfaction dissipated upon the hanging of the ornaments, for this is where we discovered this tree’s fatal flaw: with such weak and flouncy branches, the heavier ornaments just slid right off. You’d put one of the wooden Three Wise Men or a miniature picture frame enclosing one of my baby photos on a branch and could practically hear the descending slide whistle sound as it immediately fell off and onto the floor.

We exhausted the ornaments small and light enough to remain hung in no time at all. Even with these and all the lights, the tree seemed only slightly less barren than when it was unadorned. Fortunately, my mom knew more than one way to decorate or fill out a tree, having crafted a majority of our ornaments herself. The answer that year was GARLANDS. Not strings of popcorn, as she had tried the year before, her fingers left pricked and raw by the laborious process of threading one piece after another with a needle and a string; no, something simpler and more colorful.

Armed with abundant rectangles of shiny paper probably purchased from LeeWards, she strung together one looped garland after another, always alternating green and red, green and red ad infinitum. So easy to make, she even recruited me to help out. We wrapped them round and round the tree and made so many we even had a few leftover. We proceeded to put them up all over the house: along the front windows, over the archway separating the living room from the entryway, around the latter’s sole stained-glass window. Practically everywhere one looked, red and green chains accented the interior of our South Side Milwaukee bungalow.

So much red and green, it brought to mind colors from the Mexican flag—at least it did for my father. When he first saw all the garlands that had materialized, he couldn’t help but start singing the chorus of the ubiquitous Jose Feliciano standard “Feliz Navidad”. It became a running joke up through and long past Christmas Day: years later, whenever the song appeared on the radio, in a TV commercial or in a store, we still associated it with those plentiful, chintzy-but-admittedly-festive green and red chains.

***

The Tree might’ve been that year’s definitive Christmas memory if not for what happened on the holiday itself. Rather than getting together with my aunts, uncles and cousins, the three of us elected to spend that Christmas Day with only my Grandma Clara. Rather than cook a big meal, my parents decided we would eat at their favorite restaurant, Jake’s, a steakhouse across town they had frequented since before I was born. With its elegant but homey atmosphere, baked potatoes accompanied by a Lazy Susan brimming with chives, sour cream and real bacon bits, scrumptious piles of onion strings (not rings – you could order a “Hill” or a “Mountain” of ’em) and divine Shirley Temples (we always called them Kiddie Cocktails), Jake’s was one of my favorite restaurants as well.

The previous Christmas, the temperature in Wisconsin somehow reached an abnormal 65 degrees; this year’s frigid, windy, well-below-zero weather was clearly payback for that rare, good fortune. The four of us piled into the ol’ Mercury Monarch, wrapped in layers of sweaters, coats, scarves and earmuffs and around 5:30 arrived at an unexpectedly empty, darkened Jake’s. Somehow, my dad had not thought to make reservations, or even call to see if the restaurant was in fact going to be open on the biggest holiday of the year.

As we sat in the car, dumbfounded, we had to think of a plan B: if Jake’s was closed today, what fine dining establishment might actually be open? Unlike Ralphie’s family in A Christmas Story, Chinese food was not an option for us as my dad refused to eat Asian cuisine of any kind after serving in the Army in South Korea in the late ’60s and having gone through an apparently traumatic kimchee mishap.

Mentally running through a list of reputable places likely to be serving Christmas dinner to the public, my parents came up with the Hoffman House, a restaurant inside the Best Western Midway Motor Lodge up on Highway 100. We’d had Sunday brunch there before, and it was surely open for business today, being inside a hotel and all. In about twenty minutes, we arrived to a packed parking lot, which should’ve tipped us off to the harsh reality that, without a reservation, there was up to a two-hour wait for a table for four.

We all got back into the car and onto the nearby expressway, driving to the other Best Western with a Hoffman House, this one five miles away in Brookfield; sadly, the wait there was no shorter.

Cold, hungry and getting desperate, we returned to the expressway in the opposite direction towards home. On the radio, EZ 104 played the umpteenth version of “The Twelve Days of Christmas” we’d heard that year, its numerous mentions of “a partridge in a pear tree” and “five golden rings” (onion strings!) not doing much to curb our appetites. Nearing the airport, we swung by Country Gardens, a picturesque little supper club on the off-chance that they might be open, but no dice. Having exhausted a short list of desirable options, including a home-cooked meal (far too late for that), it was time to be sensible and succumb to whatever was available and close.

With resignation but also a hint of relief, my father pulled into Denny’s parking lot.

My dad tends to revisit the same four or five restaurants again and again (a proclivity I increasingly recognize in myself as I age.) For awhile, Denny’s was one of them, the place we usually dined at after church on Sunday morning (and plenty of Saturday mornings as well.) Earlier that year, en route to said restaurant in the backseat of our car, I once complained, “Argh, we always go to Denny’s for breakfast; Denny’s, Denny’s, Denny’s, Denny’s, Denny’s, Denny’s, DENNY’S!!!” Back then, my parents soundly ignored my rant; now, we were having our Christmas Dinner there. Given how hungry we all were, I knew to keep my mouth shut.

I no longer recall exactly what I ate at Denny’s that Christmas. I imagine my dad, sensing the utter disappointment in my face, told me to order whatever I wanted on the menu, so I probably had the Fried Shrimp (as fancy as the restaurant chain got.) I’m sure someone at the table ordered a Turkey Dinner and perhaps slices of Pumpkin Pie with whipped topping for dessert. The four of us sat in our circular, olive-vinyl seated booth overlooking Mitchell Field, the icy wind howling outside as yet another version of “The Twelve Days of Christmas” (this one instrumental!) played overhead, occasionally interrupted by the resounding Ding! of a sign dotted with lit-up numbers, notifying waitstaff whenever an order was ready.

We didn’t dare try to eat out on Christmas Day again until my parents visited me in Boston decades later (and you can bet we made reservations well in advance.) We still reminisce over the year we had a crummy tree and dinner at Denny’s and yet—like all the Christmases of my youth, we were together and in the end, we didn’t go hungry. This particular Christmas was far from perfect, but in retrospect, it was still pretty great.

Best Albums of 2019: # 1

1. Andrew Bird, “My Finest Work Yet”

If you’re at all familiar with Bird, you suspect the bold title of his 14th (!) album is not entirely a ruse. With a back catalog so steeped in ambiguity, it’s hard to discern whether he’s playing a sly joke on himself or being utterly sincere. What further complicates matters is that, after a few spins, it’s apparent that this is his best album in over a decade, up there with The Mysterious Production of Eggs (2005) and Armchair Apocrypha (2007).

Ever since seeing him in concert about nine years ago, mesmerized by how well he alone held an audience while creating layers of melodies and textures out of a masterful use of tape loops, I knew Bird had a great album in him, which made the relative anodyne stiffness of his subsequent releases so disappointing. Happily, My Finest Work Yet takes a different approach as it was recorded live to tape by Bird together with four other musicians. Sonically, it’s warmer, jazzier and more immediate than just about anything he’s previously done while aesthetically still sounding like himself, his violin-playing and whistling intact, fleshed out only by a rhythm section and more piano than usual.

However, there’s another new wrinkle—while his lyrics are still full of metaphor and wordplay (rhyming “You were inhabited” with “I wasn’t having it” in “Olympians”), his themes are more overtly political. “Bloodless” ponders a post-election “uncivil war”, “Archipelago” notes, “We’re locked in a death grip and it’s taking its toll” and “Fallorun” confronts the “tone-deaf angry voices that are breathing in your ear.” From the myth of “Sisyphus” to the down-trodden populace of “Don The Struggle”, both the personal and collective effects of this country’s growing divide are clearly on his mind. Fortunately, he makes stirring music out of it—rather effectively on “Manifest”, which references climate change but also impermanence and awareness of one’s surroundings, filtered through a crystalline melody that could be right out of the Great American songbook.

Bird even approaches something like catharsis on rousing finale “Bellevue Bridge Club” where he sings the line, “By any means necessary” over and over, vowing to change the mind of a lover, a rival or perhaps just someone apathetic. Again, ambiguous enough to be any of those three options, but expressed with conviction and the idea that something is at stake.

His finest work yet? Increasingly and against all odds, I’d say so.

“Manifest”:

“Bellevue Bridge Club”:

Best Albums of 2019: # 4, 3, 2

4. Imperial Teen, “Now We Are Timeless”

Last year, I wrote, “It would not surprise me to hear about a new Imperial Teen record tomorrow,” and what do you know, less than a year later, I did. Their sixth album (and first in seven years) does not supplant their fourth as the one to get, but it rocks more convincingly than their fifth and that they’re still making vital music 23 years after their debut is no small accomplishment. They’re undeniably wiser now, but not entirely wearier, for their passion remains most palpable. Every track here is vital, with “How We Say Goodbye” a perfect, three-minute power-pop song surpassed by nothing else I’ve heard this year.

3. Robert Forster, “Inferno”

Initially, the title seems misleading: now in his early 60s, Forster approaches age with even more grace and resolve than those relative youngsters in Imperial Teen, rarely more lovingly than on the blunt but uber-catchy “No Fame”. “Remain” even offers this nugget of wisdom: “I did my good work while knowing it wasn’t my time,” sung, as always, in his inimitable Brisbane twang. But as one parses the piano-pounding title track, the insistent “I’m Gonna Tell It”, the content but not taken-for-granted “Life Has Turned A Page” and soaring closer “One Bird In The Sky”, his fire continues to vividly color all his hopes, desires, laments and epiphanies on this, his best-sounding record (outside of his classic Go-Betweens stuff) to date.

2. Holy Ghost!, “Work”

Earlier this decade, I curtly dismissed this NYC synth-pop duo as cheesy 80s revival stuff, so how is their third album (and first in sixth years) any different? Are they less cheesy this time out (for the sound is decidedly more-of-the-same) or have I come to terms with my inner self-hating retro nerd? Perhaps the wheel on this kind of stuff has just spun around again, but I would be lying if I didn’t say I’ve had more fun listening to Work than any other album in a long time. The hooks, from airy, downbeat “Heaven Knows What” to giddy, Human League-high “Heaven Forbid” (plus epic single “Anxious”) are all razor-sharp; that new ones still reveal themselves after multiple spins only encourages me to keep moving this album further up this list.

Best Albums of 2019: # 7, 6, 5

7. Calexico & Iron and Wine, “Years To Burn”

A surprise, belated sequel to their last collaboration, 2005’s In The Reins EP and something of a career-reviver for both bands. Predominantly acoustic, it finds Beam and Burns/Covertino on the same wavelength even as their differences are readily apparent. The former’s folk songs and the latter’s jazzier and structural experiments (like the three-song suite on the second half) end up melding into a consistent, at times shimmering whole. Reserved and reflective but not aimless or necessarily laid back, its sturdy presence seems to serenely reverberate right out of one’s speakers (or earbuds as the case may be.)

6. Michael Kiwanuka, “Kiwanuka”

Working again with Love & Hate producer Danger Mouse, I feared an inferior follow-up; fortunately, Kiwanuka again subverts expectations by going further baroque (seven-minute-long “Hard To Say Goodbye”) while also moving closer to a song-suite approach, with one track nearly bleeding into the next like ’70s Marvin Gaye or Stevie Wonder. And yet, he remains a singular talent—retro-influenced, for sure (“Piano Joint (This Kind of Love)” sounds like 1974 in all the best ways), but his sensibility and lyricism both feel present and firmly of the moment. Like # 9 on this year’s top ten, it requires patience, but it’s also easier to get lost in.

5. Lana Del Rey, “Norman Fucking Rockwell!”

As I hoped for last year when it was announced, her fifth album ended up her first great one. It’s still a bit too long (I would’ve preferred 10 or 12 instead of 14 tracks) but by stripping down her velvet noir to the bare essentials, she allows her ever-sharpened songcraft to be heard and deeply felt. “Mariners Apartment Complex” is still tremendous, but the title track (with its lovely Fiona Apple-isms), “The Greatest” and “Fuck It I Love You” aren’t too far behind, and I even appreciate the lengthy, wonky “Venice Bitch” in this context. Sure has come a long way since that infamous SNL performance.

Best Albums of 2019: # 10, 9, 8

10. Alex Lahey, “The Best of Luck Club”

Comparisons to fellow Millennial Aussie Lesbian punk-pop singer-songwriter Courtney Barnett are inevitable, but Lahey’s second LP doubles down on the pop half of that equation while making space for everything from acoustic balladry to a fist-pumping Clarence Clemmons-like sax solo. She’s not weary of being loud (note the wall of shoegaze-y guitars on “Am I Doing It Right?”) or viscerally punk (“Misery Guts”); still, it’s her way with a hook that translates into power-pop bliss, especially on the jaunty “Isabella” or the letter-perfect anthem “Don’t Be So Hard On Yourself” (aka the one with that sax solo.)

9. Raphael Saadiq, “Jimmy Lee”

Definitely not a safe follow-up to 2011’s exquisite Stone Rollin’, Saadiq’s long-gestating concept album about his deceased brother who struggled with drug addiction is all over the place. The abrupt transitions are akin to changing channels, switching between his beloved neo-soul, hip-hop, electro new wave, psychedelia and even preacher-led gospel. A jarring listen for sure, but one that’s also by design. Perhaps such density needs a period longer than a year to gestate. For now, I return most often to the lush, urgent “This World Is Drunk”, while remaining invested enough in the rest to wanna figure it all out.

8. Dream Syndicate, “These Times”

This 80s Paisley Underground band’s second reunion effort benefits from no longer having to live up to the sky-high expectations 2017’s How Did I Find Myself Here? generally met. Looser, more relaxed but still assured, it’s a solid, concise LP not unlike many of leader Steve Wynn’s prime ’90s solo efforts, not to mention those three underrated band follow-ups to 1982’s revered The Days Of Wine and Roses. While no one will ever mistake these guys for innovators, their themes here are of the moment, while the melodies, particularly on “Bullet Holes”, “Still Here Now” and “Recovery Mode” sound suitably timeless.

Drinking Triptych

One

Save a few coveted sips of my dad’s beer and the occasional glass of wine doled out on Thanksgiving or Christmas, I did not consume much alcohol as a teenager. I didn’t exactly hang out with a drinking crowd at school; in fact, I sincerely believed getting drunk led to nothing but getting sick. At 17, I witnessed one whole side of my extended family get plastered at a relative’s 50th birthday party held at a local tavern. I was fascinated and more than a little amused by this mass-inebriation—at one point, my much older cousin Denise (she babysat me often in my youth) stood before me next to the bar, sloshed and repeatedly uttering, “I love you Christopher” in a zonked but still empathetic voice—but I had little desire to participate in it.

Still, my first act of alcohol transgression occurred not long thereafter. One afternoon, out of immense frustration at my parents for some injustice I can no longer recall, I stormed down to our basement where we kept an old fridge almost exclusively packed with beverages. Beyond twelve ounce cans of caffeine-free Diet Pepsi and assorted fruity flavors of Jolly Good and Graf’s soda (both regional generic brands) sat tall amber glass bottles of my dad’s beloved Michelob. I reached for one before realizing I had nothing nearby to open it with. I then spotted two lonely aluminum cans of Miller Lite sitting at the back of the shelf, which my parents must have purchased for guests (or perhaps a guest had brought them to us.) I hastily grabbed one, locked myself in an adjacent junk room, sat down amongst mildewy cardboard boxes packed with elementary school homework and art projects and, yearning to rebel and defy, began to chug.

As I mentioned, it wasn’t my first taste of the stuff, but I could sense my face twisting into shock at the relative sourness of so much beer at once. I kept swallowing it down, convincing myself it tasted great! I was practically an adult, after all! Of course, it was actually pathetic—I couldn’t even finish the whole can. I didn’t know where to dispose of it: my mom was too close by, just up the stairs, in the kitchen on the other side of the hallway door. My dad, meanwhile, was out mowing the lawn, so I couldn’t walk right past him back to the alley to drop the can into the big blue recycling bin near the garage. Besides, where would I dump the remaining brew I could not bear to finish?

I ended up just leaving it in the junk room, hidden behind the dust-coated, lower partitioned shelf of a round wooden table that once sat in our living room. Neither of my parents ever frequented the aptly-named junk room, which primarily housed my childhood detritus. This plan worked—later that week, when no one else was home, I poured the now-warm liquid left in the can down the kitchen sink, crushed the can by stomping on it and discarded it in that recycling bin, strategically placing it underneath an empty container of Grape Hi-C. I had pushed the desire to clandestinely drink a beer entirely out of my system (at least until I was legally old enough to do so.)

Two

Six months before turning 21, I got no-holds-barred, shitfaced drunk for the first time. I had come back from a late summer road trip from Milwaukee to Minneapolis with two friends, John and Joe. We had driven up there to visit Sara, another high school friend who was attending the University of Minnesota. It had been a somewhat contentious few days, getting caught in a violent rainstorm on the way up, having difficulty finding Sara’s apartment (mixing up the city’s numbered streets and avenues) and just generally getting sick of each other’s company after having spent so much time together in close quarters.

The trip’s best part was when Sara got into a fight with her boyfriend, giving the three of us, along with Sara’s laid-back, Beatles-loving roommate Dea (we quickly bonded over a mutual affection for Abbey Road) an excuse to get out of their shoebox apartment. None of us were of legal drinking age or possessed fake IDs, so we walked over to Joe’s tan Nissan, parked blocks away in a public lot and drank equal parts Captain Morgan’s Rum and Coca-Cola out of a Thermos. After roughly the equivalent of two cocktails, we all felt much, much better. Collectively sucking the Thermos dry, we stayed up late into the night, stumbling all over the massive and seemingly never ending U of M campus.

In the light of day, visiting the Mall of America and slumming around student ghetto Dinkytown didn’t carry the same otherworldly appeal, so the three of us headed back to Milwaukee a little early. Upon our arrival that night, John proposed we stay over at his house, as his parents and younger sister were all out of town and we’d have the place to ourselves. Furthermore, he claimed we could partake of *all* the alcohol in the house, as his parents had supposedly “stopped drinking” and certainly weren’t going to ever touch all this leftover booze. Why, it’d just go to waste! Obviously, it sounded too good to be true but as a naive young adult, I thought, “Well, if John says it’s okay to drink his parent’s stash, then it must be all right!” It’s also likely the rarity of FREE BOOZE clouded my judgement a bit.

We kicked off the evening sipping Captain’s and Cokes while watching Pump Up The Volume, the first of three videos we had rented from the neighborhood Blockbuster. After running out of rum, we switched to Jack Daniels for a bit before downing shots of a sickeningly sweet, strawberry-flavored malt beverage called Tequila Rose. Popping Killing Zoe into the VCR, I could barely follow along with this grim, violent thriller, but it didn’t matter because the three of us were so pleasantly bombed. We’d take frequent breaks from the movie, standing around the kitchen table, John incessantly pouring the thick, pink, mucus-like liquid into three shot glasses. We’d raise them up and toast to ourselves, to our friendship, and to liquor itself!

Killing Zoe having ended, John brought out a half-chilled champagne bottle he had secretly stuck in the back of the fridge earlier. We were about to pop the cork right there in the kitchen until Joe raised his hand and, in a brief moment of clarity, suggested we’d better do it outside in the backyard so that it wouldn’t hit anything important (including ourselves.) We happily shambled outside and, with a faded yellow dishtowel in hand, John aimed the bottle towards the neighbor’s yard. On the count of a three, a large POP! and our drunken cheers filled the 2:00 AM air, the cork flying off over a chain-linked fence into oblivion, never to be seen again.

We began our third movie, the surreal, hyperactive comic book adaptation Tank Girl, which was entirely fitting ’cause by then, we were all pretty tanked. The three of us sat next to each other on the living room floor, Lori Petty and a pre-fame Naomi Watts in front of us, an overstuffed couch at our backs, and passed the champagne bottle back and forth rather than pouring it into glasses. We came up with a game we thought to be ingenuous: each time a character in the movie drank something, we’d each have to take a swig out of the bottle ourselves. After four or five swigs a piece, this rapidly devolved into “Each time any character does anything, we all have to take a drink.” I don’t remember if we finished the bottle, but I do believe that all three of us passed out before the closing credits.

The next morning, we all had severe hangovers, but amazingly, no one had gotten physically sick. John never mentioned if he ever got into trouble for raiding his parents’ liquor cabinet, and I never thought to ask him about it. However, later that day, still considerably hungover, my mom and I were in the car on the way to the supermarket when we passed a ginormous billboard for Tequila Rose, of all things. “What’s wrong with you?,” mom asked as I audibly groaned at sight of the ad. I couldn’t tell if she knew what I had been up to the night before; I just glumly replied, “Nothing; I have a headache.”

Three

That I was able to feel so (temporarily) good without puking my brains out held a certain appeal; also, I could easily handle a headache. Throughout my remaining college years, I drank like this only a handful of times. I never really set out to get bombed; it’d usually happen whenever booze was available, like the house party my roommates had the weekend before the start of senior year—they insisted on purchasing a keg of Busch Light, and since I was paying for 25% of it, I figured why not partake. It was putrid stuff, only a fraction better than Milwaukee’s Best (aka “The Beast”) but as with most alcohol (particularly the cheapest stuff), it really wasn’t all that bad after the sixth or seventh plastic cup of it.

This sort of thing would happen maybe twice a year, and I was proud of being fully able to hold my booze. I kept this (no matter how dubious) streak going until after I moved to Boston for grad school. My first year there on the last weekend in March, temperatures suddenly spiked into the low ’80s—surreal for sure, made even more so since apparently there had been a freak April Fool’s Day blizzard the year before. One of my classmates threw a party at her place, a sprawling complex near Brookline Village. Until that point, Winter had stubbornly lingered as it tends to do in New England. I’d spent far too much time holed up in either my Allston bedroom or BU’s Mugar Library and I was ready to let off some steam, wanting to embrace this sudden good fortune of Summer-like weather without a care of any potential consequences.

My fatal flaw was not necessarily in how much I drank, but in what I all consumed. In the song “Tubthumping” an unlikely hit that previous fall by the Anarchist Britpop collective Chumbawumba, there’s a part where a chipper male vocalist tauntingly half sings/half raps,

“He drinks a Whiskey drink, he drinks a Vodka drink
He drinks a Lager drink, he drinks a Cider drink!”

This is more or less what I did that night, perhaps substituting rum for the whiskey. Also, you know that old saying, “Liquor before beer, never fear; beer before liquor, never sicker”? Well, at that point, tragically, I had not. I may have begun with a Woodchuck hard cider as we all hung out in the courtyard, taking advantage of the comfortable temperatures. After some neighbors complained about the noise, we moved inside where I may have moved on to my beloved Captain’s and Coke, or maybe a Cape Codder (vodka with cranberry juice to you non New-Englanders) or even a glass of cheap red wine.

I can’t remember the exact sequence of events, but somewhere deep into the night, in the middle of a crowded living room surrounded by fellow partygoers, I suddenly began vomiting all over myself onto the floor, hopefully not onto other people (although the odds were likely not in my favor.) Some shadowy figures quickly guided me into the bathroom, where for what felt like hours, I continued unceremoniously emitting everything I had consumed over the past few hours into the toilet, occasionally pausing to rest my head against the cool, white ceramic tank.

The next thing I knew, I was sitting in the passenger seat of a film production student’s big black minivan, holding a large black trash bag in front of me, giving the driver directions on how to get back to my apartment. Pulling up to my place, I thanked him profusely and stumbled into the building, waking up my roommate Miles (who used the living room as his bedroom, turning a two-bedroom unit into three) and flopping down on my mattress, which, further disorienting me, was right on my bedroom’s floor—I had disassembled my bed frame earlier in the week to make room for some classmates to come over and watch a movie. I passed out almost instantly, my gas permeable hard contact lenses still in my eyes.

I woke up the next afternoon with a hangover worse than the one at John’s house three years before. My left contact was still in my eye; the right one had fallen out and seemingly vanished into thin air. I eventually pulled myself together and in the still unseasonably warm weather, rode my bike down to the Esplanade. I sat on a bench overlooking the Charles River for an hour or so, feeling disheveled and ashamed. Turns out, my actions from the night before did have consequences, and I’d have to face them. I’d later call up the party’s host, leaving a message on her answering machine, sheepishly apologizing for puking all over her apartment. That Monday at school, when I passed a classmate in the hall who had also attended the party, he immediately shunned his face from mine rather than return my friendly greeting, as if he could no longer associate with me, the Drunken, Vomiting Pariah in public.

However, I’d come to learn that what I did wasn’t so unusual or especially shameful. Within a few days, the shunning classmate returned my hello again as if nothing ever happened. I’d see others get shitfaced drunk in public all the time and chuckle to myself but also understand this is simply a Thing That Happens—obviously not good if it happens all the time, mind you, but I no longer needed to fear it: I literally partied ’til I puked, and I had survived. Of course, that wasn’t my last time ever getting shitfaced drunk; admittedly, it wasn’t even the last time I ever puked in public. Still, these days, like most responsible, non-alcoholic adults, I prefer the drowsy buzz of a well-crafted cocktail or two over drinking just to get drunk. Although I wince a little whenever I think back to that time I was the life (and death) of a party, I’m mostly thankful I had that experience. It was a foolish act, for sure, but also strangely liberating, all at once throwing caution to the wind, even if I ended up also being gloriously three sheets to it.

Up North!

Every summer, my family vacationed in Minocqua, Wisconsin. A five-hour drive from our home in Milwaukee, we didn’t even have to leave the state! Throughout the ’80s into the early ’90s, my parents and I would pack up our aging navy blue Mercury Monarch on a designated Saturday morning either right before or not long after the Fourth of July and head straight for Route 41 North. Following a carefully planned trajectory of state and county highways, we’d bypass smaller metropolises like Fond Du Lac, Oshkosh and Wausau until leafy trees gave way to endless rows of towering pines. The expressway would abruptly end, turning into a two-lane blacktop and by mid-afternoon, we were finally “Up North!” (as I first learned to call it at age seven.)

For years, we also didn’t have to pay for lodging. Actually, we initially made the trip only because of an invitation from longtime friends of my parents. Another couple with two sons near my age, they had relatives who owned a small cabin that they’d let family and friends use throughout the year. A modern, compact, one-story, two-bedroom rectangle of a house, it had a deck that overlooked some woods leading down to a small lake. To reach the cabin, one had to turn onto a little road off the highway whose intersection was flanked by a small, decades-old shop with a green sign plainly labeled BAIT. It was our tradition to stop there and pick up a week’s worth of worms wriggling around in a Styrofoam container of soil and other various fishing supplies before taking the narrow, winding road two miles up through the woods up to our long-awaited destination.

The seven of us would spend a week huddled in this cozy space, the three boys taking one bedroom and the two sets of parents alternating between the other bedroom and a camper van parked outside. From Saturday to Saturday, we fished, suntanned, swam, hiked and passed the time playing endless rounds of Uno and other card and board games. We also made runs into town to play rounds of miniature golf, pick up supplies at the Save More Supermarket and walk along Minocqua’s charming main street, which was strewn with taverns and tchotchke shoppes, but also places that sold books, toys, ice cream and fudge.

By the time us three boys reached our teens, the little cabin began feeling a tad cramped. My parents decided time had come for the three of us to rent our own place for the week. My fifteen-year-old self pictured we’d find another, near-identical version of the place we had stayed at all these years, or better yet, a rustic but charming, spacious house like the one in the movie The Great Outdoors. I imagined all the amenities and luxuries of a Best Western or a Holiday Inn, transported to a beautiful spot on a quiet, picturesque, crystal-clear lake.

We ended up renting a cottage at the Lazy L Campground and Resort. Upon hearing its name for the first time, I wasn’t too keen on the campground part—I had slept outdoors in a tent many times as a Boy Scout and knew very well neither my mom nor dad would be up for doing so for an entire week—but the word resort held some promise. Presumably, in addition to an eat-in-kitchen and two bedrooms, we’d have a patio and our own yard, plus proximity to and views of Squirrel Lake (which was more than five times the size of the lake we usually stayed at.)

The road to Lazy L from the highway was much longer and narrower than the one by the BAIT shop. It seemed to go on indefinitely, each curve burrowing deeper into an endless woods and further away from civilization. After what felt like fifteen, possibly thirty minutes, we finally saw an old wooden sign with two giant L’s painted on it, not far off from the ones Laverne DeFazio embroidered on all her outfits.

We turned onto a dirt driveway, passing through yet more woods until reaching a partial clearing. A small, clapboard building served as an office, and there were four other cottages plus a larger house situated further back in the woods. To the left were signs pointing towards the campground. Ahead of us, partially hidden through some tall trees sat Squirrel Lake, so immense one had to squint to make out the other side.

Marcel, the establishment’s owner, exited the office and greeted us with a warm “Howdy!” Balding, flannel clad and pushing sixty, he ambled over to us and shook my father’s hand. He then led us over to what would be our home for the next seven nights. Our two-bedroom cabin, called the Edgewater, wasn’t much smaller than what we were used to, but it was far more rustic, probably built when my parents were little kids, possibly earlier than that. Although it was clean and didn’t smell like mildew, my spirit sank as I gazed upon the kitchen/living room. Most of the furniture, while in reasonably good shape, was a few decades old, from a tan couch with an exposed wooden frame to a white electric stove so narrow one couldn’t even fit a Thanksgiving turkey in it. I wasn’t yet at an age where I could appreciate now-trendy vintage items such as the pristine, 1950s red-and-white Formica kitchen table; at 15, I just found it dated and depressing.

Sensing my disappointment, my mom said to me, “You know, Chris, it’s not like we’re staying at a fancy, modern hotel; this place is perfectly fine. And it’s just for one week!” I let out an exaggerated sigh like any good snotty teen and slouched off to my new bedroom. I sprawled across the full-sized bed where I noticeably sensed a layer of squishy plastic under the pale green linen sheets. I turned up my Sony Walkman, seeking out whatever local top 40 station I could find.

Over the course of that week, I grew to tolerate our cottage at the Lazy L to the point where I actually kind of enjoyed it. We had planned our trip for the same week as our friends/former roomies, and we spent most evenings at each other’s places, partaking in all the fun stuff we did in years past. By week’s end, my dad told Marcel we’d probably return next summer. While part of me secretly hoped we’d look for a new place to stay, I decided I’d be open to more time on Squirrel Lake.

Sure enough, exactly fifty-one Saturdays later, we were back at the Lazy L, checking into the Edgewater for another week. This time, my father wanted to rent a motorboat—why, we’d be able to do our own fishing and exploring without always having to go across town to our friends (once again at their usual place.)

Marcel was happy to oblige. “Now Bob, I have this boat here that I’m gonna let you rent,” he said. “The motor is a little too powerful and complicated for the older couple staying at the cottage next to yours, but I bet you can handle it.”

I’m not sure what inspired Marcel’s confidence in my father apart from his relative youth. I’d seen him work a boat motor before; it didn’t appear too difficult a thing to do—just pull the rip cord and steer in the direction you wanted to go. How hard could that be?

Now that we had our own vessel for the week, my parents took it out fishing nearly every morning, while I joined them in the afternoons and evenings for rides around the lake. In general, it was another pleasant, tranquil Minocqua vacation—a brief but necessary respite from urban life and the daily grind. I’d begun my own first part-time job that summer, scooping ice cream at a Baskin-Robbins, so this rest and relaxation seemed sweeter than it had back when I was an unemployed youth. The Lazy L definitely lived up to its name.

The last night of the week, our friends came over for a Friday Fish Fry, a tradition most sacred in predominantly Catholic regions, but particularly in Wisconsin. We delved into our coolers full of fresh fish from the week that we had caught and filleted, breading and frying up somewhere between a dozen or two on that little but resilient white stove, saving the rest to bring back home. Once there, they’d take up room in the freezer indefinitely, allowing us to replicate the experience the best we could on a few cherished occasions during the rest of the year.

After dinner, our friends headed back to their place—no more fishing that evening for any of us, as we were all driving back to Milwaukee early the next morning. As their white SUV pulled away from the Lazy L, we still had about two hours of sunlight left.

“Hey, let’s take one last ride around the lake,” my dad buoyantly suggests.

This idea of “one last ride around the lake” is romantic and idyllic: What better way to cap off the best time of the year in the upper Midwest—a week blessed by ample sun, piercing blue skies and perfectly comfortable temperatures?

My parents and I approach our pier which is splattered with dried-up shit from all of the ducks that had taken up residency there at intervals throughout the week. Incidentally, we’d grow fond of this waterfowl, repeatedly spotting them via our kitchen window—going so far as to name one “Crazy Louie” for his tendency to stubbornly isolate himself from the rest of the flock. I see a pale orange sun reflecting on the crystalline lake ahead of us. The gleaming white metal of our small, rented motorboat also catches my eye. We wave hello to the elderly couple fishing off the next pier—they’re the ones Marcel perceived as too weak to handle our boat’s supposedly robust motor.

We enter the small craft one by one. First, my mom, who sits in the middle. I warn her, somewhat snarkily, not to fall off her seat as she had done on our last ride. Then, it’s my turn to get in. I sit in front (or the bow) as my dad takes the stern in back to work the motor.

Once everyone’s settled, sitting on overstuffed blue life-preserver cushions, I untie the rope connecting us to the pier. We row away for a bit, the stern pointing away from the shore. As my dad tries starting the motor, nothing happens. After a few more attempts, still nothing. My upbeat mood takes a turn: Is the motor broken? Are we out of gas?

Fortunately, after another attempt, a loud, raucous WHIR-R-R-L-LLL appears and we’re moving. Hooray! I’m ready to enjoy the scenery and maybe even see a few perch or some turtles pop their heads up above the deep, voluminous fresh water surrounding us.

The objects one views in a boat backing away from the shore are supposed to get smaller, not larger. It takes a few seconds for this to sink in. When I become fully aware of our situation, I shout out, “Dad, we’re going the wrong way!”

Over the motor’s immense roar, I can barely make out him saying, “I can’t find the gear, I can’t get it into gear!”

My mom sits still as if in a state of suspended animation, quiet but perplexed, unable to do much of anything. She cautiously questions, “Bob…?”

Speed. We are picking up on it as we head perilously closer to shore. I don’t look back at my dad or question why he can’t change direction. I just look ahead at the other boats we could potentially hit.

The words, “I can’t get it into gear!” echo in my head. We’re getting perilously closer to the neighboring pier. All at once, I feel as if I’m in a fever dream, or watching myself on TV—this can’t really be happening! How could we be going the wrong way?

I shout, “WHAT are you DOING?”

The next few seconds are a blur. I close my eyes. Someone (maybe it was me?) barks out, “We’re headed right straight for the…”

THOINK!

A loud crashing sound both heard and felt. I might’ve let out a “WHOAH!” right before we made impact, but I’ve blocked most of those few seconds out. I recall opening my eyes, noticing that our boat had stopped and was somehow halfway up the neighbor’s pier and halfway in the lake. Although I’m on the tippy-top, I’ve somehow managed to hold on to my seat. My mother has fallen off hers (despite my warning!); my dad’s at the bottom, his shoes drenched in water that has infiltrated the stern.

The elderly couple stands before us, speechless, staring open-mouthed. Once my shock subsides, I start to laugh, queasily. My mom later recalls that as we were on a collision course with the pier, she kept thinking of an old Woody Woodpecker cartoon that had a boat literally tearing through a wooden pier as if it were a buzz saw.

Miraculously, the vehicle’s still in one piece. I hop onto the pier and pull my mom, then my dad out of the boat. We slide it back into the water—apart from a few noticeable scratches around and under the bow, the boat’s perfectly fine. Marcel, thank god, is nowhere to be seen.

After all this, most people would just walk away and call it a night, but not my father. He was determined to get that last ride in, dammit. We all got back into the boat, he started up the motor and this time, we made it out onto the lake successfully. Still, my mom and I held on extra tight to our seat cushions, barely speaking a word to each other. As much as we wanted to enjoy this “one last ride around the lake”, the recent memory of having unceremoniously gone up a pier couldn’t help but dampen our moods.

We left for home early the next morning, never to return to the Lazy L, embarrassed to face Marcel again after scratching up his boat. I’d return to Minocqua the next summer on my own, staying with our friends for a few days, but my parents and I never set foot there together again. I began feeling too old, too much of an adult to spend a weeklong vacation with them. I’ve thought about going back to Minocqua again as an adult out of nostalgia for a place I once knew, but fear I’d only set myself up for disappointment. I prefer to simply remember and cherish all the fun I had there in my youth—my parents and I literally going up a pier in a motorboat remains a one-of-a-kind experience I could never, ever hope to replicate or surpass.

My Father, The Navigator.