
Although introduced in 1948, the 33rpm LP (or Long Playing record) didn’t fully catch on until about a decade later. Even then, it was mostly relegated to jazz artists, classical music, cast recordings and motion picture soundtracks. Rock and Roll was chiefly a singles (or 45rpm) medium until The Beatles helped turn the LP into an art form in the mid-60’s.
All of this is to say that of my forty favorite albums pre-1970, over thirty are from the second half of the 1960s, with over 20 of them from 1968-69 alone. The nine pre-1965 entries are all jazz save for the West Side Story movie soundtrack (which I found in a dollar bin as an undergraduate and played incessantly in my dorm.) I suspect there may be a rock (non-Beatles) album from that period worth hearing and appreciating as an album, but I have yet to hear one.
My top seven below all appeared on my 100 Albums project; I didn’t include Kind of Blue back then because I feared I wouldn’t write about jazz with the same finesse as I could about rock and pop. Gris-Gris, which I had first heard a year before starting the project would definitely make the list now–its out-of-time, psychedelic swamp rock still has no parallel, seemingly emanating from the deep woods rather than the French Quarter. The Who Sell Out was a rediscovery when I found a vinyl reissue of it for cheap in Brattleboro, Vermont; Bullet is nearly the best of instrumental composer Lalo Schifrin, although all of his late 60s soundtracks (including the TV series Mission: Impossible) are recommended.
The Beatles make up 10% of this list because, well, they’re The Beatles (and I could’ve easily added The Beatles (The White Album) and A Hard Day’s Night if I had made a top fifty.) Scanning over the titles below, I see a few that regularly pop up on best-of-decade scrolls: Getz/Gilberto’s landmark bossa nova, A Love Supreme’s melodic hard bop pushed as far as it could go before mutating into cacophony; Tommy pioneering the concept of a “rock opera”; Axis: Bold as Love taking advantage of sound technology and psychedelics to create an all-encompassing listening experience.
I’ve also included some cult favorites, beloved by critics and music obsessives (Forever Changes, Eli and the Thirteen Confession,Odyssey and Oracle) if not the public at large. My own idiosyncratic faves of this period include Tom Lehrer’s sharpest distillation of his smarty-pants novelty shtick; Frank Zappa’s first and best (and maybe only essential?) album; Bobbie Gentry’s genre-bending suite about where she came from; Gerry Mulligan’s cool jazz ideal, a record to play when you’ve listened to Getz/Gilberto one too many times.
Going forward, I’ll post similar (and likely longer) lists for each subsequent decade; I’ll also update the ones I formulated long ago for the 1990s, 2000s and 2010s. Perhaps I’ll get to a point where I create an all-time ranked list, something I once said I’d never do, but I’ve learned to never say never when it comes to plans (or blogging.)

Favorite Albums Pre-1970:
- Abbey Road (The Beatles, 1969)
- A Charlie Brown Christmas (Vince Guaraldi Trio, 1965)
- The Velvet Underground (The Velvet Underground, 1969)
- Dusty In Memphis (Dusty Springfield, 1969)
- Songs of Leonard Cohen (Leonard Cohen, 1968)
- The Kinks Are The Village Green Preservation Society (The Kinks, 1968)
- Revolver (The Beatles, 1966)
- Kind of Blue (Miles Davis, 1959)
- Gris-Gris (Dr. John, 1968)
- Bullet (Original Motion Picture Soundtrack) (Lalo Schifrin, 1968)
- The Who Sell Out (The Who, 1967)
- Forever Changes (Love, 1967)
- Sgt Pepper’s Lonely Hearts Club Band (The Beatles, 1967)
- Night Lights (Gerry Mulligan, 1963)
- That Was The Year That Was (Tom Lehrer, 1965)
- In a Silent Way (Miles Davis, 1969)
- Astral Weeks (Van Morrison, 1968)
- Scott 4 (Scott Walker, 1969)
- Unhalfbricking (Fairport Convention, 1969)
- Mingus Mingus Mingus Mingus Mingus (Charles Mingus, 1963)
- The Delta Sweete (Bobbie Gentry, 1968)
- Getz/Gilberto (Stan Getz and Joao Gilberto, 1964)
- Eli and the Thirteenth Confession (Laura Nyro, 1968)
- Songs For Swingin’ Lovers (Frank Sinatra, 1956)
- Freak Out! (The Mothers of Invention, 1966)
- Tommy (The Who, 1969)
- A Love Supreme (John Coltrane, 1965)
- Rubber Soul (The Beatles, 1965)
- Wild Is The Wind (Nina Simone, 1966)
- Odyssey and Oracle (The Zombies, 1968)
- Present The Battle of The Bands (The Turtles, 1968)
- Monk’s Dream (Thelonious Monk, 1963)
- Lady Soul (Aretha Franklin, 1968)
- Eddie Gale’s Ghetto Music (Eddie Gale, 1968)
- Everybody Knows This Is Nowhere (Neil Young, 1969)
- Head (The Monkees, 1968)
- West Side Story (Original Motion Picture Soundtrack, 1961)
- Axis: Bold as Love (Jimi Hendrix, 1967)
- Song Cycle (Van Dyke Parks, 1968)
- Sings the Cole Porter Songbook (Ella Fitzgerald, 1956)











