In midlife, I find myself more receptive to aesthetics I would have deemed inconceivable in my youth: adventurous cuisines and libations (the twenty-year-old me would’ve shuddered at a sushi dinner or a glass of rye whiskey), facial hair as an attractive feature (though not necessarily on myself) and most of all, music deemed seriously unhip by my peers. I mean, at 21, I listened to Dionne Warwick as often as I did Blur or XTC but in the past few years, I’ve had a newfound craving for mid-20th century instrumental Lounge and Exotica, not to mention that terminal scourge of a genre, Easy Listening.
I wonder if it’s an attempt to return to early childhood. At that impressionable age, I’d often find solace in WEZW (“E-Z 104 FM” (actually 103.7)), Milwaukee’s own easy listening station. A few years back, I came across a recording from it circa June 1980 on YouTube and with it, a flood of long-dormant memories. My parents would play it in the car (not as often as their beloved “Mix” station WMYX, which unlike WEZW is still on the air) and I’d occasionally hear it out in the wild (mostly at barber shops, doctors’ waiting rooms, even in the principal’s office once when I was sick in fourth grade.) It was practically a staple all through December when it would (mostly) switch over to a holiday music format.
Last year, I began compiling a Spotify playlist called “Elevator to Bliss”, generally adding tracks via the app’s “Let’s Find Something For Your Playlist” algorithm. Whittled down from 50-odd tracks and retitled to fit its space-age vibes (in many senses of the term), some of the thirty selections below might’ve appeared on WEZW back in the day, but not all. As one digs deeper into the notion of “Elevator Music” (Joseph Lanza’s book of the same name is an enlightening resource), one excavates genres upon subgenres. Often, what separates the (mildly) stimulating from the merely soothing comes down to a matter of personal taste; this is the sort of playlist that is also effective when left on shuffle. However, I’ve attempted a trajectory of sorts, beginning and ending with different versions of the same tune, exhibiting how easily an instrumental shlock hit can be gently repurposed as sci-fi camp (by Mr. Spock, no less!)
In between those alternate-world bookends sits a cornucopia of film music from renown masters (John Barry, Henry Mancini, Lalo Schifrin) and more cultish figures (Riz Ortolani, Sven Liabek, Carlos Rustichelli) along with a few selections from the early 70s (themes from Airport and Klute) that anticipate primetime soap opera scores from later in that decade. Cool Jazz is also represented with vibraphonist Cal Tjader rubbing shoulders against Bossa Nova king Antonio Carlos Jobin and flautist Herbie Mann. If we’re including the 70s, we have to make room for some instrumental funk (Charles Stepney) and such genre-bending oddities as Michel Polnareff’s “Voyages” and Alain Tew’s spare but sex-x-y “The Fence”.
I turn to this playlist when I want to zone out to instrumental music, whether while writing, working, walking or drifting off to sleep. Still, it’s not exactly the same as background or ambient noise. I no longer believe in “guilty pleasures”—all that matters to me these days is how pleasing I find the music; this playlist does the job.
Haunted Jukebox Mix #7: Elevator To The Moon