If it seems conspicuous that the only 1991 entry in my 100 Albums series was a singles comp (represented below via a mind-melting medley covering U2 and Frankie Valli), note that at times I seriously considered including the following: R.E.M.’s first number one album (which also had their highest-charting single), Seal’s first eponymous release (believe it or not, he was actually interesting pre-Grammys/Steve Miller cover/Heidi Klum), Sam Phillips’ second secular album (I’d write plenty about her third), even PM Dawn’s dreamy, near-unclassifiable debut. In the end, none compelled me enough to want to write about at length, but I’ve made sure to represent tracks from each of them here.
Historically, people love to sum up 1991 as The Year of Nirvana and Nevermind; I respected Cobain and co. but was never much of a fan, preferring my rock and roll to be Anglophilic and danceable. Looking over this curious selection, one might almost get an impression of ’91 as a last breath of optimism/utopianism before grunge and alt-rock’s irony/cynicism took over. Saint Etienne’s landmark early single (still easily one of the five best songs they ever did) sets the tone, and fellow Brits The Orb, The Shamen, Jesus Jones, James, Primal Scream and even Seal all sustain it, although only “Right Here Right Now” really broke through over here. Kirsty MacColl’s vivacious Latin bauble carries the same spirit although musically it has precious little in common with the others.
As with last year’s playlist, this combines top 40 (Roxette, Prince, Londonbeat) with modern rock (Billy Bragg, Electronic, Violent Femmes, Matthew Sweet) and the occasional crossover from the latter to the former (Divinyls, Siouxsie and the Banshees.) The mighty “Unfinished Sympathy” sounds absolutely undiminished, “Love… Thy Will Be Done” is a terrific, long forgotten top ten hit ripe for reappraisal and “Funeral” and “It Won’t Be Long” are obscurities everyone should know. I was giddy with joy when many songs by the KLF resurfaced on streaming in the past few years. A techno-pop hymn about the band’s own “mythology” and their ice-cream van, sung by none other than country-western legend Tammy Wynette(!), “Justified & Ancient” is the most bonkers hit of its time (and perhaps the entire decade.) Thirty-plus years on, I still can’t believe how big it was. Watch the video above and ask yourself, “Did this really happen, and could something so delightfully weird and far out of left field ever become a hit again?”
1991: All Bound For Mu Mu Land
- Saint Etienne, “Nothing Can Stop Us”
- The KLF feat. Tammy Wynette, “Justified & Ancient”
- PM Dawn, “Paper Doll”
- Siouxsie and the Banshees, “Kiss Them For Me”
- Crowded House, “Fall At Your Feet”
- Sam Phillips, “Cruel Inventions”
- Alison Moyet, “It Won’t Be Long”
- Roxette, “Fading Like a Flower”
- R.E.M., “Near Wild Heaven”
- Divinyls, “I Touch Myself”
- Mekons, “Funeral”
- The Orb, “Little Fluffy Clouds”
- The Shamen, “Move Any Mountain”
- Massive Attack, “Unfinished Sympathy”
- Billy Bragg, “You Woke Up My Neighbourhood”
- Seal, “Future Love Paradise”
- Dream Warriors, “My Definition of a Boombastic Jazz Style”
- Londonbeat, “I’ve Been Thinking About You”
- Matthew Sweet, “I’ve Been Waiting”
- Electronic, “Get the Message”
- Morrissey, “My Love Life”
- James, “Sit Down”
- Prince & the New Power Generation, “Diamonds and Pearls”
- Joni Mitchell, “Come In From the Cold”
- Erasure, “Breath of Life”
- Kirsty MacColl, “My Affair”
- Kylie Minogue, “Shocked”
- Martika, “Love… Thy Will Be Done”
- Simply Red, “Something Got Me Started”
- Lisa Stansfield, “It’s Got To Be Real”
- Queen, “I’m Going Slightly Mad”
- U2, “Until The End of The World”
- Jesus Jones, “Right Here Right Now”
- Pet Shop Boys, “Where The Streets Have No Name/Can’t Take My Eyes Off You”
- Primal Scream, “Movin’ On Up”
- Violent Femmes, “American Music”