2019: Could This Be A Forgery?

2019 was kind of an amazing year for singles and tracks—so much that I thought about doing another countdown in addition to my top ten albums list. However, with the end of the decade approaching, I need to save some brain cells to assess that in a few weeks, so instead, here’s the annual playlist.

The first two songs are my favorites, both by new artists and completely out of left-field. Orville Peck is a queer, fringed-mask Canadian cowboy crooner, while Kelsey Lu is a Charlotte-born, African-American freak-folk original. Peck’s vocal on “Dead of Night” blatantly recalls Roy Orbison, Morrissey and Chris Isaak but when he shifts into his higher register on the chorus, it gives me chills like nothing Roy or Chris ever did (and like the Moz hasn’t in decades.) “Poor Fake”, on the other hand, instantly achieves soulful dancefloor splendor when the beat kicks in at 0:34 and approaches Kate Bush-levels of delightful eccentricity in its subject matter (counterfeit art) and bonkers spoken-word section.

Other discoveries this year: Cate Le Bon’s pleasant/peculiar avant-pop where at times her vocal recalls no one so much as Patti Smith (!); Weyes Blood’s own brand of avant-pop, as if Aimee Mann and Brian Eno had a daughter; Steve Lacy’s Prince-meets-Daryl Hall comedown; Maggie Rogers’ compulsively singable declaration of desire; Yola’s retro-baroque-complete-with-harpsichord-soul (“Faraway Look”, an inspired choice to conclude the rebooted, fourth season of Veronica Mars.)

Albums that nearly made my top ten (Vampire Weekend, Hot Chip, The Divine Comedy) are represented by their best songs, as are spottier full-lengths that were slight let-downs (Jenny Lewis, Marina (now “and the Diamonds”-free, to her detriment), Carly Rae Jepsen, The New Pornographers.) Also, more tracks not attached to an album at all: Sufjan Stevens’ released-for-Pride-month chillout anthem, another superb Jessie Ware single (when is that fourth album coming out?), an orphaned Florence + The Machine song preferable to anything on last year’s High As Hope, and best of all, another fantastic, delirious disco epic from Roisin Murphy, who actually released two of ’em this year—the other’s called “Incapable” and would also be here if I didn’t limit this playlist to one song per artist.

Go here to listen to my favorite tracks of 2019 on Spotify:

  1. Orville Peck, “Dead Of Night”
  2. Kelsey Lu, “Poor Fake”
  3. Vampire Weekend, “This Life”
  4. Robert Forster, “No Fame”
  5. Bat For Lashes, “Kids In The Dark”
  6. Tegan and Sara, “Hold My Breath Until I Die”
  7. Jenny Lewis, “Wasted Youth”
  8. Steve Lacy “Hate CD”
  9. Deerhunter, “What Happens To People?”
  10. Marina, “Handmade Heaven”
  11. Andrew Bird, “Manifest”
  12. Belle & Sebastian, “Sister Buddha”
  13. Cate Le Bon, “Home To You”
  14. Raphael Saadiq, “This World Is Drunk”
  15. Of Monsters and Men, “Wild Roses”
  16. Calexico & Iron & Wine, “Midnight Sun”
  17. Roisin Murphy, “Narcissus”
  18. Carly Rae Jepsen, “Want You In My Room”
  19. Lana Del Rey, “Norman Fucking Rockwell”
  20. Cigarettes After Sex, “Heavenly”
  21. Chromatics, “You’re No Good”
  22. The New Pornographers, “Falling Down The Stairs Of Your Smile”
  23. Guster, “Don’t Go”
  24. Jessie Ware, “Adore You”
  25. Holy Ghost!, “Heaven Forbid”
  26. The Divine Comedy, “Absolutely Obsolete”
  27. Weyes Blood, “Everyday”
  28. The Mountain Goats, “Younger”
  29. Hot Chip, “Spell”
  30. Yola, “Faraway Look”
  31. Alex Lahey, “Don’t Be So Hard On Yourself”
  32. Florence + The Machine, “Moderation”
  33. The Dream Syndicate, “Bullet Holes”
  34. Maggie Rogers, “Burning”
  35. Sufjan Stevens, “Love Yourself”
  36. Michael Kiwanuka, “Piano Joint (This Kind of Love)”
  37. Sharon Van Etten, “Seventeen”
  38. Charly Bliss, “Chatroom”
  39. Imperial Teen, “How To Say Goodbye”
  40. The National, “Light Years”

1988: How Can Our Love Grow?

As part of my 100 Albums project, I posted annual song playlists from 1989-2018. Since the project’s timeline goes back to 1965, that leaves 24 additional years to make playlists for. Rather than posting chronologically, I plan to curate a random year at a time on a whim; let’s begin with 1988 since I had started compiling songs for it some time ago.

As always, these playlists are totally subjective and meant to collect my favorite songs of a single year rather than attempt a record of what 1988 was actually like for me or most listeners at the time. I heard a lot of Guns N’ Roses and Richard Marx on the radio in ’88, but they (mercifully) won’t appear here. Truth be told, this was the year I started to pay close attention to Top 40 radio (having received a dual cassette boombox for my 13th birthday) and MTV’s Top 20 Video Countdown, so I was newly aware of a world beyond “Weird Al” Yankovic and whatever my parents listened to in the car.

A few actual top 40 hits do make the list: Sade’s refreshing, proto-trip-hop groove, Tracy Chapman’s unlike-anything-else-at-the-time breakthrough single, Erasure’s enduring dance-balladry, sublime one-hit-wonder When In Rome and of course, Information Society, also unlike anything else on the radio in 1988–I still marvel that this Latin freestyle techno-pop with sci-fi/Star Trek accents (from Minneapolis, no less!) reached number 3 on the Hot 100 that October.

Still, other musical worlds existed beyond such mainstream confines: They Might Be Giants’ sui generis quirk-pop, Leonard Cohen’s ballsy reinvention as a sophisticated, smokey-voiced chanteur, Cowboy Junkies’ indie slowcore Velvets cover, Talk Talk’s own transformation from second-string new romantics into ambient-leaning experimenters.

There was another world just beyond my reach–British pop fascinated in the late ’80s/early ’90s, from club songs that crossed over to the top of the UK charts (Yazz) to weirdo one-shots like Fairground Attraction and The Primitives. The old guard continued to innovate (Siousxie and the Banshee’s craziest, fizziest hit), surprise (The Fall’s sardonic-yet-faithful Kinks cover) and expand its horizons (both Morrissey and Pet Shop Boys turning ever more orchestral.)

All this plus a guitar-pop triple-threat from Down Under (The Go-Betweens, Hunters & Collectors, Crowded House), early Sam Phillips, late ‘Til Tuesday and to cap it all off, an ode to love from Catherine O’Hara’s beguiling younger sister. Like any other year for pop, 1988 contained multitudes.

Go here to listen to my favorite tracks of 1988 on Spotify:

  1. Information Society, “What’s on Your Mind (Pure Energy)”
  2. Prefab Sprout, “Cars and Girls”
  3. When In Rome, “The Promise”
  4. The Primitives, “Crash”
  5. The Church, “Under The Milky Way”
  6. Sade, “Paradise”
  7. The Go-Betweens, “Quiet Heart”
  8. Tracy Chapman, “Fast Car”
  9. Everything But The Girl, “These Early Days”
  10. Hunters & Collectors, “Back On The Breadline”
  11. Fairground Attraction, “Perfect”
  12. Morrissey, “Everyday Is Like Sunday”
  13. Leonard Cohen, “Everybody Knows”
  14. Siouxsie and the Banshees, “Peek-A-Boo”
  15. They Might Be Giants, “Ana Ng”
  16. Yazz, “The Only Way Is Up”
  17. Inner City, “Good Life”
  18. Talking Heads, “(Nothing But) Flowers”
  19. R.E.M., “You Are The Everything”
  20. Cowboy Junkies, “Sweet Jane”
  21. The Dream Syndicate, “Whatever You Please”
  22. Talk Talk, “I Believe In You”
  23. Sam Phillips, “What Do I Do”
  24. Erasure, “A Little Respect”
  25. Pet Shop Boys, “Left To My Own Devices”
  26. Was (Not Was), “Somewhere In America There’s A Street Named After My Dad”
  27. ‘Til Tuesday, “(Believed You Were) Lucky”
  28. The Darling Buds, “Let’s Go Round There”
  29. Roxette, “Dressed For Success”
  30. The Fall, “Victoria”
  31. Patti Smith, “People Have The Power”
  32. Crowded House, “Better Be Home Soon”
  33. Mary Margaret O’Hara, “You Will Be Loved Again”