2001: We’re Not Those Kids Sitting On The Couch

This year was transformative in so many ways: unquestionably regarding world events (see the entry on Apartment Life for my thoughts on 9/11), but also in the music I gravitated towards. After my brief rediscovery of top 40 and a somewhat shallow dive into club music, by the end of 2001, indie rock (and pop) had become my mainstays. I was listening to WERS extensively, which is where I first heard Emm Gryner, Pernice Brothers, Ladytron and The Soundtrack of Our Lives; I also upped my music journalism intake, mostly via The Village Voice, which is where I first read about The Moldy Peaches, Basement Jaxx and Ted Leo (though for the latter, not until 2003’s Hearts of Oak came out).

It was an effort to think of at least 25 great songs for the 1999 and 2000 lists, but I had no trouble immediately reeling off nearly 40 for this year. Of course, a good chunk of this playlist comprises songs by artists I was already familiar with: Ben Folds’ solo debut (still his best solo track, ever), Depeche Mode’s second-last great single, Gillian Welch’s disarming narrative that did more to humanize Elvis than any number of tributes have before or since, a lovely, essential Belle and Sebastian B-side, an expansive gem plucked from a sprawling Ani DiFranco double LP and the happiest, breeziest song Rufus Wainwright will likely ever write.

Very occasionally, something unexpected would cross over, like Res’ now-all-but-forgotten hypnotic rock/R&B hybrid, or Cousteau’s loving Bacharach pastiche, which I probably heard on a car commercial before it ever played WERS. But even beyond my own particular, often peculiar tastes (A ten-minute Spiritualized come-down extravaganza? Sure, why not?), you had outfits like The Strokes and The White Stripes breaking out of the indie-rock ghetto. Suddenly, you felt the potential for hundreds of other bands to aspire to the same, and it didn’t yet feel played out. Despite plenty of sociopolitical turmoil by world’s end, there was also an unusual sense of possibility in the air. I was ready for it.

Go here to listen to my favorite tracks of 2001 on Spotify:

1. Ben Folds, “Annie Waits”
2. Pernice Brothers, “7:30”
3. Res, “They-Say Vision”
4. Daft Punk, “Digital Love”
5. Spoon, “Believing is Art”
6. The Soundtrack of Our Lives, “Sister Surround”
7. Royal City, “Bad Luck”
8. Ladytron, “Playgirl”
9. The Moldy Peaches, “Steak For Chicken”
10. Super Furry Animals, “It’s Not the End of the World”
11. Steve Wynn, “Morningside Heights”
12. Cousteau, “Last Good Day of the Year”
13. Ted Leo & The Pharmacists, “Under the Hedge”
14. Depeche Mode, “Dream On”
15. Basement Jaxx, “Jus 1 Kiss”
16. Guided By Voices, “Glad Girls”
17. Kings of Convenience, “I Don’t Know What I Can Save You From”
18. Yann Tiersen, “Comptine d’un autre été, l’après-midi”
19. Black Box Recorder, “The Facts of Life”
20. Bjork, “Pagan Poetry”
21. The Dirtbombs, “Chains of Love”
22. Ani DiFranco, “Rock Paper Scissors”
23. Emm Gryner, “Straight to Hell”
24. Gillian Welch, “Elvis Presley Blues”
25. New Order, “Close Range”
26. Belle and Sebastian, “Marx and Engels”
27. Sam Phillips, “How To Dream”
28. Rufus Wainwright, “California”
29. Ivy, “Edge of the Ocean”
30. Spiritualized, “Won’t Get to Heaven (The State I’m In)”

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